Synonyms for aleksandra_ekster or Related words with aleksandra_ekster

olga_rozanova              nadezhda_udaltsova              mikhail_larionov              vladimir_tatlin              lyubov_popova              natalia_goncharova              ivan_kliun              david_burliuk              alexander_rodchenko              liubov_popova              kazimir_malevich              el_lissitzky              varvara_stepanova              alexander_bogomazov              kuzma_petrov_vodkin              vasily_polenov              rodchenko              konstantin_korovin              vadim_meller              malevich              kasimir_malevich              wladimir_burliuk              alexandra_exter              isaak_brodsky              pavel_filonov              igor_grabar              ivan_puni              konstantin_somov              mstislav_dobuzhinsky              aristarkh_lentulov              isaac_levitan              ilya_mashkov              valentin_serov              pyotr_konchalovsky              mikhail_vrubel              rudolf_frentz              ilya_kabakov              nina_genke_meller              marianne_von_werefkin              wassily_kandinsky              udaltsova              vadym_meller              aleksandr_gerasimov              gustav_klutsis              erik_bulatov              alexandre_benois              lissitzky              dmitry_kardovsky              victor_borisov_musatov              suprematist             

Examples of "aleksandra_ekster"
In 1917 Nikritin returned to Kiev and studied in the studio of Aleksandra Ekster.
In 1914 he organized the exhibition Kiltse ("The Ring") in Kiev, together with Aleksandra Ekster and Alexander Bogomazov among others.
In Paris, Aleksandra Ekster was a personal friend of Pablo Picasso and Georges Braque, who introduced her to Gertrude Stein.
From 1907 to 1917 Alexander studied at the Moscow School of Painting, Sculpture and Architecture (MUZHZV). In 1917 he became a member of the "Moscow Professional Union of Artists" in Moscow together with Kazimir Malevich, Aleksandra Ekster, Vadym Meller and Vladimir Tatlin. From 1918 to 1919 he studied in the studio of Aleksandra Ekster in Kiev, Ukraine.
In 1915 and 1916, she served as assistant to Aleksandra Ekster at Alexander Tairov's Chamber Theater in Moscow. In 1918 she married Alexei Zamkov, a military surgeon.
In 1916 he together with artists-suprematists Kazimir Malevich, Aleksandra Ekster, Nina Genke, Liubov Popova, Nadezhda Udaltsova and others worked at "Verbovka Village Folk Centre".
In 1925, he participated in "Exposition Internationale des Arts Decoratifs et Industriels Modernes" ("Art Deco") in Paris together with Aleksandra Ekster, Vadim Meller, Rudolf Frentz, Sonia Delaunay-Terk and David Shterenberg. His first solo exhibition in Leningrad was in 1926.
Supremus (; 1915–1916) was a group of Russian avant-garde artists led by the "father" of Suprematism, Kazimir Malevich. It included Aleksandra Ekster, Liubov Popova, Olga Rozanova, Ivan Kliun, Ivan Puni, Nadezhda Udaltsova, Nina Genke-Meller, Ksenia Boguslavskaya and others.
In the same year Rozanova together with other suprematist artists (Kazimir Malevich, Aleksandra Ekster, Nina Genke, Liubov Popova, Ksenia Boguslavskaya, Nadezhda Udaltsova, Ivan Kliun, Ivan Puni and others) worked at the Verbovka Village Folk Centre.
From 1896 to 1902, Aleksander Bogomazov attended the Institute for Agriculture in Kherson. From 1902 to 1905, he attended the Kiev Art School (KKHU), at the same time he had close contact with Alexander Archipenko and Aleksandra Ekster.
It includes work by Camille Corot, Ivan Kramskoy, Vasily Polenov, Ilya Repin, Ivan Shishkin, Fyodor Vasilyev, Aleksandra Ekster, Pavel Kuznetsov, Aristarkh Lentulov, Robert Falk, Pyotr Konchalovsky, Martiros Saryan, Fyodor Rokotov and others. Early donors included Pavel Tretyakov and Pauline Viardot.
In 1922 Nikritin participated in the "First Russian Art Exhibition" in the Gallery van Diemen in Berlin together with Kazimir Malevich, Alexander Archipenko, Aleksandra Ekster, El Lissitzky, Nathan Altman and others.
During the year 1915, Boguslavskaya joined the "Supremus" («Супремус»), a group of avant-garde artists. Some group members included (Liubov Popova, Nadezhda Udaltsova, Varvara Stepanova, Aleksandra Ekster, Ivan Kliun, Nina Genke-Meller, Ivan Puni and others. The group was led by the founder of Suprematism, Kazimir Malevich.
In 1907, he returned to Kiev. After 1907, he had regular exhibitions in Kiev, including the "Association of Russian Artists" and the "Moscow Society of Independent Artists". In 1908, he participated in the exhibition with the group of artists "Zveno" (The Link) in Kiev together with David Burliuk, Wladimir Burliuk, Aleksandra Ekster and others.
The current exhibition includes over 20 thousand pieces. Among many are works by a now world-renowned constructivist Vasiliy Yermilov, and Cubo-Futurist Alexander Bogomazov. The Ukrainian side is represented by works of famous Ukrainian and Russian artists such as David Burliuk, Aleksandra Ekster, Vadim Meller, Kliment Red'ko, Solomon Nikritin, Victor Palmov, Maria Sinyakova, Mikhail Boichuk, Mykola Pymonenko, Ilya Shtilman and many others.
5x5=25 was a two-part abstract art exhibition held in September–October 1921 in Moscow. The five artists whose work was shown were Aleksandra Ekster, Lyubov Popova, Alexander Rodchenko, Varvara Stepanova and Alexander Vesnin. They presented highly abstracted, geometric work that rejected expressionist forms of painting common before the World War I and pretended to be the "end" or "death" of art.
One of the earliest full-length films about space travel, the most notable part of the film remains its remarkable constructivist Martian sets by Isaac Rabinovich and Victor Simov and costumes designed by Aleksandra Ekster. Their influence can be seen in a number of later films, including the "Flash Gordon" serials and probably Fritz Lang's "Metropolis" and "Woman in the Moon".
Archipenko moved to Nice in 1914. In 1920 he participated in "Twelfth Biennale Internazionale dell'Arte di Venezia" in Italy and started his own Art school in Berlin the following year. In 1922 Archipenko participated in the "First Russian Art Exhibition" in the Gallery van Diemen in Berlin together with Aleksandra Ekster, Kazimir Malevich, Solomon Nikritin, El Lissitzky and others.
She was born in 1883 and she had a rudimentary education. Her interest in skill in art was largely self-taught. She came under the influence of mentors that included Aleksandra Ekster. With their guidance her folk art designs were used for carpets. The carpets won awards.
In 1919–20 Red'ko studied in the studio of Aleksandra Ekster along with students Solomon Nikritin and Nina Genke-Meller. During that time he participated in decorating the streets of Kiev and Odessa for Revolution festivities, in the abstract style together with Ekster and Genke-Meller.