alexander_bogomazov - Synonyms for alexander_bogomazov

Examples of "alexander_bogomazov"
In 1914 he organized the exhibition Kiltse ("The Ring") in Kiev, together with Aleksandra Ekster and Alexander Bogomazov among others.
V. Meller became the leader of the Constructivism movement in Ukrainian theater design. He worked in the National theater as a chief artist until 1945. From 1925 onward, he also taught at the (KKHI) together with Vladimir Tatlin and Alexander Bogomazov. Also in 1925, V. Meller became a member of the artists union "Association of the Revolutionary Masters of Ukraine" together with David Burliuk (co-founder), Alexander Bogomazov (co-founder), Vasiliy Yermilov, Victor Palmov, and Khvostenko-Khvostov.
Alexander Bogomazov was born in Yampol, Kharkov Governorate, as a second child to Konstantin Bogomazov. His mother Anisia abandoned the family shorty after his baptism. His ethnic background was Russian, yet Alexander spent virtually all his life in Kiev.
The current exhibition includes over 20 thousand pieces. Among many are works by a now world-renowned constructivist Vasiliy Yermilov, and Cubo-Futurist Alexander Bogomazov. The Ukrainian side is represented by works of famous Ukrainian and Russian artists such as David Burliuk, Aleksandra Ekster, Vadim Meller, Kliment Red'ko, Solomon Nikritin, Victor Palmov, Maria Sinyakova, Mikhail Boichuk, Mykola Pymonenko, Ilya Shtilman and many others.
Ryback attended the art school in Kiev until 1916. He joined a progressive group of painters and was influenced by advocates of a modern Jewish literature such as David Bergelson and David Hofstein. The painters Alexander Bogomazov and Alexandra Exter were in Kiev at the time, and they taught him in 1913.
In 1926 he cooperated in the production of Prokofiev's "Love for the three Oranges" (one of his most experimental projects that was not performed) in Kharkiv. In 1927 he participated in the All-Ukrainian Exhibition "Ten Years October" together with Alexander Bogomazov, Vadym Meller, Vladimir Tatlin, Victor Palmov, Anatol Petrytsky, Mark Epshtein.
In 1925 Burliuk was a co-founder of the Association of Revolutionary Masters of Ukraine (ARMU) with the members Alexander Bogomazov, Vasiliy Yermilov, Vadym Meller, Alexander Khvostenko-Khvostov, and Palmov Victor. In 1927 he participated in an exhibition of the Latest Artistic Trends in the Russian Museum in Leningrad (St. Petersburg), together with Kazimir Malevich, Aleksandr Shevchenko, and Vladimir Tatlin.
The core of the collection focusing on European and Russian Modernism of the late 19th and 20th centuries. Among the artists are Avigdor Arikha, Salvador Dalí, Menashe Kadishman, Mikhail Larionov, Henri Rousseau, David Shterenberg, Vladimir Tatlin, Roberto Matta, Alexander Bogomazov, Maria Gaken and El Lissitzky.
Alexander Bogomazov or Oleksandr Bohomazov (, ; born April 7, 1880 in Yampol, Russian Empire - on June 3, 1930 in Kiev, Ukrainian SSR, Soviet Union) was a Ukrainian painter, known artist and modern art theoretician of the Russian Avant-garde (historically the term "Russian Avant-garde" refers to the art of all countries which were parts of Russia/USSR in the beginning of 20th century). In 1914, Alexander wrote his treatise "The Art of Painting and the Elements". In it he analyzed the interaction between Object, Artist, Picture, and Spectator and sets the theoretical foundation of modern art. During his artistic life Alexander Bogomazov mastered several art styles. The most known are Cubo-Futurism (1913–1917) and Spectralism (1920–1930).
From 1902 to 1905 he attended the Kiev Art School (KKHU), after which he continued his education in the arts as the student of S. Svyatoslavsky in 1906, also in Kiev. In the same year he had an exhibition, together with Alexander Bogomazov, in Kiev. Later that same year he moved to Moscow where he had a chance to exhibit his work in some group shows.
Her painting studio in the attic at 27 Funduklievskaya Street, now Khmelnytsky Street, was a rallying stage for Kiev's intellectual elite.In the attic in her studio there worked future luminaries of world decorative art Vadim Meller, Anatole Petrytsky and P.Tchelitchew . There she was visited by poets and writers, such as Anna Akhmatova, Ilia Ehrenburg, and Osip Mandelstam, dancers Bronislava Nijinska and Elsa Kruger, as well as many artists Alexander Bogomazov, Wladimir Baranoff-Rossine, and students, such as Grigori Kozintsev, Sergei Yutkevich, and Aleksei Kapler among many others. In 1908 she participated in an exhibition together with members of the group "Zveno (Link)" organized by David Burliuk, Wladimir Burliuk and others in Kiev.
She was born "Aleksandra Aleksandrovna Grigorovich" in Białystok, in the Grodno Governorate of the Russian Empire (now Poland) to a wealthy Belarusian family. Her father, Aleksandr Grigorovich, was a wealthy Belarusian businessman. Her mother was Greek. Young Aleksandra received an excellent private education, studying languages, music, art, and taking private drawing lessons. Soon her parents moved to Kyiv (Kiev), and Asya, as called by her friends, attended Kiev gymnasium St. Olga and Kiev Art School, where she studied with Alexander Bogomazov and Alexander Archipenko. Her teachers included Mykola Pymonenko. Aleksandra graduated in painting from Kiev Art School in 1906.
In 1908 an exhibition with the group "Zveno" ("The Link") in Kiev was organized by David Burliuk together with Wladimir Baranoff-Rossine, Alexander Bogomazov, his brother Volodymyr (Wladimir) Burliuk and Aleksandra Ekster. In 1909 Burliuk painted a portrait of his future wife, Marussia, on a background of flowers and rocks on the Crimean coast. Many times thereafter he would set the image of his wife to canvas. Without question two dreams possessed his heart all his life: the face of his wife and the portrait of his homeland - first Ukraine and then his adopted country, the United States.
The term "Ukrainian Avant-Garde" was first introduced by Parisian art historian Andréi Nakov for the exhibition "Tatlin's dream", arranged in London, 1973, where works of international standard by avant-garde Ukrainian artists Vasyl Yermylov and Alexander Bogomazov were presented to the Western audience. Famous artists were mentioned by Nakov, such as Kazimir Malevich, David Burliuk, Vladimir Tatlin, Aleksandra Ekster, who were connected to Kiev, Kharkiv, Lviv, Odessa by birth, education, national traditions and identity. The Ukrainian avant-garde artists also include the outstanding Alexander Archipenko, whose art was influenced by impressions of his native land, Trypillya culture, archaic Cuman prairie statues, mosaics of Saint Sophia Cathedral, and St. Michael's reliefs and peasant pottery colours.