cherubino - Synonyms for cherubino | Synonyms Of cherubino

Examples of "cherubino"
The other Figaro, suspicious, tells Almaviva that Cherubino is the lover of Inez, in order to put him in bad light. When Almaviva and Figaro lurk to catch Cherubino and Inez together, they discover Cherubino in company of Susanna. Cherubino, supported by Susanna, claims to be in love with her and Figaro, furious, is forced by the insistence of all the characters rushed to the scene to show forgiveness.
At the end of the first act, Count Almaviva finds Cherubino hiding in Susanna's quarters. The Count was already suspicious that Cherubino had designs on his wife, Countess Rosina, and overall disapproves of his loose lifestyle. However, he cannot punish Cherubino, as he himself was only in Susanna's quarters to proposition her. The Count sends Cherubino away instead, to his regiment in Seville. In this aria, Figaro teases Cherubino about his Spartan military future, in stark contrast with the pleasant and flirtatious life he has enjoyed in the Count's palace.
Cherubino Kirchmayr (1848–1903) was an Italian painter.
But Inez is in love with Cherubino and tries, with the help of the Countess Rosina and Susanna, to avoid the undesired union. Cherubino, disguised as another Figaro, gains Almaviva's trust and becomes his servant.
When also Almaviva and the Countess appear, Figaro discovers Cherubino and Inez hidden in a wardrobe. Almaviva decides to chase away Cherubino and Susanna, but Susanna manages to obtain his forgiveness.
Cherubino in the concert version of The Marriage of Figaro with the UST Symphony Orchestra (2004)
engraving, "Adoration of the Magi", after Rosso Fiorentino, by Caravaggio's friend Cherubino Alberti (1553-1615).
Torribio arrives for the wedding, but Cherubino, come back in the castle, recognizes in the supposed Don Alvaro a former servant of his. Therefore Cherubino decides to reveal his true identity and discloses to Almaviva that Figaro and Torribio were trying to deceive him. To Almaviva remains nothing else to do that agreeing to the marriage between Inez and Cherubino and, on the insistence of Susanna, he forgives also Figaro.
The brother of Alessandro and Cherubino Alberti, and third son of Alberto, he was born at Borgo S. Sepolcro.
Susanna and the Countess then begin with their plan. Susanna takes off Cherubino´s cloak, and she begins to comb his hair and teach him to behave and walk like a woman (aria of Susanna: Venite, inginocchiatevi – “Come, kneel down before me”). Then she leaves the room through a door at the back to get the dress for Cherubino, taking his cloak with her.
A chorus of young peasants, among them Cherubino disguised as a girl, arrives to serenade the Countess. The Count arrives with Antonio and, discovering the page, is enraged. His anger is quickly dispelled by Barbarina, who publicly recalls that he had once offered to give her anything she wants, and asks for Cherubino's hand in marriage. Thoroughly embarrassed, the Count allows Cherubino to stay.
The Countess arrives in Susanna's dress. Cherubino shows up and starts teasing "Susanna" (really the Countess), endangering the plan. (Finale: "Pian pianin le andrò più presso" - "Softly, softly I'll approach her") Fortunately, the Count gets rid of him by striking out in the dark. His punch actually ends up hitting Figaro, but the point is made and Cherubino runs off.
She made her debut with the Metropolitan Opera in 1970 and in 1971 appeared as Cherubino in "Le nozze di Figaro" at the Santa Fe Opera. "It was two of the newcomers who left the audience dazzled: Frederica von Stade as Cherubino and Kiri Te Kanawa as the Countess. Everyone knew at once that these were brilliant finds. History has confirmed that first impression."
Cherubino and Inez meet in the room of Susanna. They want to find a way to avoid the marriage with Don Alvaro, expected for the same evening. Suddenly Figaro appears, convinced that Susanna is plotting against him with the help of Cherubino.
The debut took place in October 2000 as Kristina in Janáček's "The Makropulos Affair" at La Monnaie in Brussels. In 2012 she made her debut at La Scala in Milan as Cherubino in "The Marriage of Figaro". At the Royal Opera Stockholm she has also sung Cherubino, a page in "Salome" and Meg Page in Verdi's "Falstaff".
Cherubino Cornienti (March 25, 1816 – May 12, 1860) was an Italian painter, active in a Romantic style mainly in Northern Italy.
Pier Luigi Cherubino Loggi (born 15 October 1971), known simply as Pier, is a Spanish retired footballer who played as a striker.
Her New York debut took place in November 1904 as Cherubino in The Marriage of Figaro in a cast that included Emma Eames, Marcella Sembrich and Antonio Scotti.
Cherubino then arrives and, after describing his emerging infatuation with all women, particularly with his "beautiful godmother" the Countess (aria: " – "I don't know anymore what I am"), asks for Susanna's aid with the Count. It seems the Count is angry with Cherubino's amorous ways, having discovered him with the gardener's daughter, Barbarina, and plans to punish him. Cherubino wants Susanna to ask the Countess to intercede on his behalf. When the Count appears, Cherubino hides behind a chair, not wanting to be seen alone with Susanna. The Count uses the opportunity of finding Susanna alone to step up his demands for favours from her, including financial inducements to sell herself to him. As Basilio, the music teacher, arrives, the Count, not wanting to be caught alone with Susanna, hides behind the chair. Cherubino leaves that hiding place just in time, and jumps onto the chair while Susanna scrambles to cover him with a dress.
Classic trouser parts (male characters intended to be played by women) include the title character in "Peter Pan" (J.M. Barrie) and Cherubino in "The Marriage of Figaro" (Beaumarchais).