Synonyms for ittmann or Related words with ittmann

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Examples of "ittmann"
Johannes Ittmann (26 January 1885 – 15 June 1963) was a German Protestant missionary in Cameroon between 1911 and 1940.
Ittmann, John, "‘Diego Rivera’ Mexico and Modern Printmaking: A Revolution in The Graphic Arts 1920 to 1950." Connecticut: Yale University Press, 2006.
Since 1969 the society has had the following presidents: Dr H Sichel (1970), Mr JW Grobbelaar (1971), Mr D Masterson (1972), Dr GJ Rudolph (1973), Mr J Miller (1974), Mr K Sandrock (1975), Mr HID du Plessis (1976), Mr R Eales (1977), Prof TJ Stewart (1978), Prof JS Wolvaardt (1979), Dr MJ Venter (1980), Dr AH Money (1981), Mr M Splaine (1982), Mr D Masterson (1983), Dr LP Fatti (1984), Mr DW Evans (1985), Mr MA de Vries (1986), Mr HW Ittmann (1987), Prof G Erens (1988-1989), Ms A Pachyannis (1990-1991), Mr LA Visagie (1992-1993), Ms E Ferreira (1994-1995), Dr E Dixon (1996-1997), Prof JW Hearne (1998-1999), Dr PduT Fourie (2000-2001), Mr HW Ittmann (2002-2003), Prof WR Gevers (2004-2005), MS KM Harmse (2006-2007), Prof VSS Yadavalli (2008-2009), Mr DW Evans (2010-2011), Prof JH van Vuuren (2012-2013), Prof HA Kruger (2014-2015), Ms W Pelser (2016 - )
Through softer tempura washes like A New Day (Fig. 2), he literally and figuratively paints a picture of a black family transitioning from the South to the North during the Great Migration, making a hopeful, daring leap to attempt to be equal members of the society that has historically oppressed them. On the left side of the canvas lie muddled farm houses and plow handles, embodiments of their rural life of tedious hard labor behind them, fading to gray. Their hopeful gazes “…convey the optimism of the scores of African Americans who left the countryside to pursue better job opportunities, health care, and education in urban centers,” (Ittmann 71). The stance of the figures, with their chins raised in a dignified gesture towards cityscape ahead suggest a confidence and ambitiousness in their collective futures in this new northern industrial terrain. Even the child, clutched securely in the arm of the mother figure against her breast is not only serenely grinning, but calm enough to appear to gently doze, confident in that the journey ahead will result positively, poses no threat. The exposed arm of the woman is notable as well, being unusually thick and muscular, along with the general proportions of the kneeling father, who position on the ground appears not pleading but rather in a slightly exhausted, but upright gratefulness for the promise ahead. Thrash makes it clear that this family has traveled a long way, but is not depleted; rather they are strong and preparing for further hard work and hopeful success ahead. They are the quintessence of the New Negro, in that they are not only journeying forward to seize previously unobtainable opportunities that will enhance their lives, but the manner with which they hold themselves provokes a certain level of warranted respect for their humanity, from the viewer.