Synonyms for magier or Related words with magier
Examples of "magier"
5. Carcassonne — Mage & Witch (Carcassonne —
The prizes for "Best Children's Game" and "Best Rules" were both won by Nacht der
La Morte Vivante (also released as The Living Dead Girl) is a 1982 French horror film directed by Jean Rollin and starring Marina Pierro, Francoise Blanchard, Mike Marshall, Carina Barone, Fanny
, Patricia Besnard-Rousseau and Sam Selsky. The story involves a young woman who has returned from the dead and needs human blood in order to survive.
In 2010 the book "Africa- Magicians of the Earth" (German: "Afrika – Die
der Erde") was published by Studienverlag. After extensive trips to Thailand, India and Africa, he published "Views of humankind in other worlds" (German: "Menschenbilder aus anderen Welten"). An exhibition series of these images started in January 2012 in Rabalderhaus in Schwaz. In February 2012 the photographs of Gert Chesis were displayed in the Institute Francaise in Togo.
is a skilled Qigong martial artist and is capable of paralizing his opponents with a single touch, known as Dim Mak. Oboro is called on by the ARCAM Corporation to infiltrate a Neo-Nazi faction in Egypt. His cover is responsible for helping Yu and Suzuko Kawahara neutralize Kutheimer's operations in Egypt. Oboro later participates with Yu in a mission to Iraq to protect Sister Kate, who had the Apocrypha of Rockis, which cultists from the
Heunri Balez wants to use to conjured demons. Later on, Oboro returns to Thailand and assists Yu and Yoshino in fighting against Cheng, who had honed his Qigong skills to seek revenge against Oboro.
In 1950 he founded the Knabenchor Hannover. In 1961 he cofounded the youth orchestra "Junges Sinfonieorchester Hannover" (JSO). He prepared the boys choir for the recording of Bach cantatas in a collaboration with Gustav Leonhardt, published as "Das Kantatenwerk" by Teldec. Hennig belonged to the first conductors pursuing historically informed performance. He revived neglected works of Heinrich Schütz and Andreas Hammerschmidt, among others. He conducted the choir in five Schütz recordings between 1982 and 1999, four of them won prizes such as the Deutscher Schallplattenpreis. He also premiered works of composers such as Alfred Koerppen, who wrote in 1951 a youth opera "Virgilius, der
von Rom" that the choir performed successfully at the "Sängerfest" in Frankfurt a.M.
He is the author of "Yesterday’s Deterrent: Tirpitz and the Birth of the German Battle Fleet", "Why Switzerland?, All or Nothing: The Axis and the Holocaust" and "Die Deutsche Bank und ihre Goldtransaktionen im Zweiten Weltkrieg" (also published in English). His reviews have appeared in "The London Review of Books", "The Evening Standard", "The Financial Times", and "The Times Literary Supplement". In 2003 he completed "European History and European Lives, 1715 to 1914", a 36-part series of biographies produced by The Teaching Company. Dr. Steinberg has also written many radio and TV documentaries, including BBC Radio Four's salute to the Constitution of the United States, "Secure in Their Persons". He was co-editor of "The Historical Journal", Cambridge University Press, from 1990 to 2000 and his biography "Bismarck: A Life" was published by Oxford University Press in early April, 2011. It was short-listed for the BBC Samuel Johnson Prize for Non-Fiction in July 2011 and short-listed for the Duff Cooper Prize in 2012. A German edition 'Bismarck.
der Macht' was published by Propylaen Verlag, a subsidiary of Ullstein. In October, 2012 a Danish edition published by Sohn and a Romanian edition published by Eikon appeared at the same time. A Japanese edition in two volumes appeared in 2012. A Russian and a Chinese edition are forthcoming and a Brazilian edition is under contract. He has just completed a third and revised edition of Why Switzerland? which has been submitted to Cambridge University Press.
An inventor of the Rosenkreuz Orden, Isaak is also called Panzer
. Isaak is the vampire who is responsible for making Cain's current body, which had been permanently damaged by Seth and Abel 900 years ago. Despite his many talents, Isaak is somewhat of a mystery and has gone by many aliases in the past. He used to study at London University under the name of Isaac Butler, and was involved in the incident which killed William's fiancé and led to both to them being expelled. Since he met Cain, Isaak takes care of Cain's regeneration and leads the Orden with him, though his true motivation for doing so is unknown. He enjoys smoking cigarillos and quoting works of literature. Issak does not usually appear in public, preferring to let others carry out his plans. When he does move to the front lines, he shows excellent battle prowess and is not easily defeated. In the manga, he encounters Esther several times in a black suit and top hat, calling himself Mr. Butler. His reasons for appearing to Esther are seemingly always benevolent; he once went so far as to save her from nearly certain death at the hands of Monica Argento, a ruthless AX agent with orders to bring Esther in dead or alive. His reasons for seemingly shepherding Esther are unknown. Also, he appears to maintain a role as Cain's literal butler in this adaptation, deferring to him in a servant-like manner and referring to himself as an "ant" when compared to Cain. Isaak's calm, mysterious nature and tendency to help the AX as much as the Orden is true in the novels as well, even saving Abel from Monica in a similar situation in Rage Against the Moons.
His 1982 film, "La morte vivante" ("The Living Dead Girl") was his most commercial and successful work since "Les raisins de la mort". In addition to its small budget, Rollin again had to contend with producers to construct a film that he wanted, as they required another zombie piece. He was reluctant to do so and was influenced to create a film with combinations from his previous works. Rollin described that the living dead girl is sort of a vampire woman who devours the blood of humans, taking the idea from his vampire works, but not exactly making her a vampire. The gore is a notable aspect taken from "Les raisins de la mort". His usual poetic, supernatural and horror themes are still present within the film. Rollin created the story of a young woman named Catherine Valmont (Françoise Blanchard) who has been dead and buried in her family valut beneath the Valmont mansion for the past two years. As three thieves enter the vaults and plan to rob Catherine and her deceased relative of their jewellery as they lay in their coffins, an earth tremor occurs, which suddenly resurrects Catherine. Unaware of her surroundings, she must acquire human victims and drink their blood to prevent her descending into madness and possibly death, with drifting in and out of childhood memories of her childhood friend, Hélène (Marina Pierro). During which, a photographer, Barbara (Carina Barone), becomes fascinated by Catherine when she discovers her and thinks she is quite peculiar, and sets out to uncover a mystery. Catherine's childhood friend, Hélène is intending to buy the Valmont mansion, which is currently on the market and a strange phone call leads her to the home where she discovers that Catherine is alive and the bodies of the thieves and the real estate agent and her boyfriend. Trying to convince herself that Catherine did not actually die, she realises that she has returned from the dead and must help her by bringing her unsuspecting victims. Some of the financing for the film was courtesy of Jacques Raif, who co-wrote the feature. The film's photographer Pierre LeBlond, found a castle which would become the Valmont mansion, which they rented. The castle provided accommodation for the cast and crew, in which the owner offered to cook. According to Rollin, the owner insisted on being referred to as "His Lordship" and that he was very difficult to get along with Actress, Françoise Blanchard was introduced to Rollin by Fanny
, a co-star actress who appeared in the film. When Blanchard arrived, Rollin was unsure whether to offer her the role of Catherine due to the fact that in the first scene in which her character is resurrected, Blanchard appeared wearing trousers which wasn't required for the scene and Rollin did not ask her to remove them. She did however receive the role due to good contact. Blanchard showed great professionalism in her role and in one particular scene, the final scene of the film, in which Blanchard's character cries and screams after devouring her childhood friend, the crew became concerned over her mental state as they thought she has descended into madness. She gave an amazing performance for the role. During the preparation of the film, Rollin had been to Rome with Lionel Wallman to find an actress to portray the role of Hélène. Rollin had Teresa Ann Savoy in mind for the role, whom he was greatly impressed with. After speaking with Savoy and showing her a script for a pornographic picture which was in English and devoid of interest and not for "La morte vivante", as she didn't speak French, she refused the role and told her agent that she would never in her life shoot with a guy like him. His second choice was actress Marina Pierro, a recurring collaborator with director Walerian Borowczyk, whom Rollin instantly liked. Pierro accepted the role. In the role of the photographers, American actor Mike Marshall, whom Rollin enjoyed working with during the production received the role of Greg and Canadian actress Carina Barone, was offered the role of Barbara due to a previous actress who featured in "Les paumées du petit matin" turning it down as she unmistakable believed that it was supposedly an erotic film. The film was a commercial success within theatres and received quite a positive reception, especially in Italy. Upon its release, Rollin was betrayed by a dishonest distributor who premiered in a select number of small theatres behind his back, as the film deserved a much larger audience in highly established theatres. However, "La morte vivante" was selected in many festivals which gave the film little success, particularly in Rome where Rollin's friend, Andriano Pintaldi presented the film in his festival where it was given the public's award.
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