Synonyms for musiche or Related words with musiche

strumenti              canzoni              appunti              musicali              suoni              frammenti              nuove              proposte              suono              composizioni              componimento              intavolatura              ballata              violino              sonare              scrivere              nascita              analisi              conoscere              altre              pensieri              metodo              conservazione              trascrizione              musicisti              canzone              lettura              profughi              antiche              liuto              armonici              clarinetto              traduzione              canti              affetto              momenti              duetti              discussioni              immagini              spagnuola              madrigali              altri              piccole              celebri              scelte              alcune              molti              introduzione              imprese              interpretazione             



Examples of "musiche"
"Czerny - Musiche per pianoforte a sei mani" (2009).
"Musiche e sciamani", Musica del Mondo, Textus 001 (2000). Contains tracks assembled from the set of seven CDs of Siberian music on BUDA curated by Henri Lecomte. Sold with book (in Italian) "Musiche e sciamani", ed Antonello Colimberti, Textus 2000.
Antonello Colimberti (ed) (in Italian) "Musiche e sciamani", Textus, Milan 2000
Le nuove musiche di Giulio Caccini detto Romano, 1601, Lesson for solo voice (2008)
Emiliano Ramacci: La famiglia di Antonio Brunelli a Bagnoregio in "Musiche D'Ingegno", Pisa, Pacini, 1999.
Il divertimento di Grandi, musiche da camera ò per sevicio di tavola... Op. 9 (Antwerpen, 1681)
Leydi, Roberto. "Efisio Melis" in "Le tradizioni popolari in Italia; canti e musiche popolari", Milano: Electa, 1990.
An important early treatise on monody is contained in Giulio Caccini's song collection, "Le nuove musiche" (Florence, 1601).
An abridged English translation of "Le nuove musiche"'s preface was printed in John Playford's "Introduction to the Skill of Music" from 1664 to 1694. "Le nuove musiche"'s success inspired many similar collections in the seventeenth century, and it is regularly anthologized in modern collections.
As musician he wrote the text of two Italian operas; "“Il Giardino del Gigante” - Musiche di Domenico Clapasson testo di Ottavio de Carli (2001)"; and "“La chiamavan Cappuccetto Rosso” - Musiche di Domenico Clapasson testo di Ottavio de Carli (Brescia, La Scuola, 2010)";
The "Secondo libro di madrigali" (1616) is (along with the 1621 "Musiche a doi voci") among the most important of Valentini's secular works as it is the first published collection of madrigals which combined voices and instruments. The instrumental arrangement plays diverse roles in different pieces, from mere embellishments to full integration into the polyphonic texture of the piece. The latter approach is also used heavily in "Musiche concertate" (1619). The duet and dialogue pattern writing seen in "Musiche a doi voci" is reminiscent of the duets from Monteverdi's "Settimo libro de madrigali", published in 1619.
Lost Works: Works during sojourn in Paris, ca. 1678–1680, Concerto (dated, probably 1689?). Serenade, a 3, 1678. "Ballets airs", "musiche di scena"
Indiana University Press, Jun 18, 2004 - Music - 96 pages, Francesca Caccini's Il primo libro delle musiche of 1618: A Modern Critical Edition of the Secular Monodies
Buonarroti's lyrics are found among many 17-century composers' "musiche" as well as in Luigi Dallapiccola's "Sei Cori di Michelangelo Buonarroti il Giovane" (1933).
A separate section dedicated to music (the "Museo delle Musiche dei Popoli", "Museum of Peoples' Music") exhibits musical instruments from the whole world.
He is believed to have been the first composer to use the term "divertimento", in his 1681 composition "Il divertimento de' grandi musiche da camera, ò per servizio di tavola."
The Corporazione delle Nuove Musiche (Italian: Corporation for new music) was founded in 1923 by Alfredo Casella as a successor organization to his early Società Italiana di Musica Moderna (1917).
He was predominantly a composer of monody and solo song accompanied by a chordal instrument (he himself played harp), and it is in this capacity that he acquired his immense fame. He published two collections of songs and , both titled "Le nuove musiche", in 1602 (new style) and 1614 (the latter as "Nuove Musiche e nuova maniera di scriverle"). Most of the madrigals are through-composed and contain little repetition; some of the songs, however, are strophic. Among the most famous and widely disseminated of these is the madrigal "Amarilli, mia bella".
In 1923, he joined with Alfredo Casella and Gabriele D'Annunzio in creating the Corporazione delle Nuove Musiche. Malipiero was on good terms with Benito Mussolini until he set Pirandello's libretto "La favola del figlio cambiato", earning the condemnation of the fascists. Malipiero dedicated his next opera, "Giulio Cesare", to Mussolini, but this did not help him.
The Musica nei Borghi project run by Opera Barga in collaboration with Simone Bernardini and the Ensemble Le Musiche, produces a series of concerts that are performed in various corners of the Councils of Barga and Bagnone featuring famous classical works alongside lesser known pieces, as a way of gratifying but at the same time stimulating audiences.