Synonyms for paperweights or Related words with paperweights

teapots              chinaware              tankards              vases              majolica              marquetry              millefiori              bookbindings              snuffboxes              curios              metalware              barware              delftware              tablewares              glasswork              faience              trinkets              bookplates              keepsakes              jasperware              netsuke              hollowware              teacups              khokhloma              dollhouses              lacquerware              tapestries              ivories              maiolica              matchboxes              japanned              jewelries              beadmaking              hardstones              knickknacks              decoupage              glassmakers              mugs              woodcarvings              craftwork              ashtrays              dinnerware              flagons              ormolu              kantharoi              ambrotypes              reliquaries              chandeliers              celadon              woodcarving             



Examples of "paperweights"
The centre was a dedicated commercial supplier of paperweights.
Taube created tin candlesticks, seal stamps, paperweights, cigarette boxes, and inkwells.
Paperweights are used to hold down paper. A paperweight is often placed at the top of all but the largest pages to prevent slipping; for smaller pieces the left hand is also placed at the bottom of the page for support. Paperweights come in several types: some are oblong wooden blocks carved with calligraphic or pictorial designs; others are essentially small sculptures of people or animals. Like ink stones, paperweights are collectible works of art on their own right.
In the US, Charles Kaziun started in 1940 to produce buttons, paperweights, inkwells and other bottles, using lamp-work of elegant simplicity. In Scotland, the pioneering work of Paul Ysart from the 1930s onward preceded a new generation of artists such as William Manson, Peter McDougall, Peter Holmes and John Deacons. A further impetus to reviving interest in paperweights was the publication of Evangiline Bergstrom's book, "Old Glass Paperweights", the first of a new genre.
Bacchus also produced cut glass items, including Venetian-style paperweights and tableware.
The largest opercula of "Turbo marmoratus" have been used as paperweights.
Victorian portrait and advertising paperweights were dome glass paperweights first made in Pittsburgh, Pennsylvania using a process patented in 1882 by William H. Maxwell. The portrait paperweights contained pictures of ordinary people reproduced on a milk glass disk and encased within clear glass. This same process was also used to produce paperweights with the owner's name encased or an advertisement of a business or product. Pittsburgher Albert A. Graeser, patented a different process for making advertising paperweights in 1892. The Graeser process involved sealing an image to the underside of a rectangular glass blank using a milkglass or enamellike glaze. Many paperweights of the late 19th century are marked either J. N. Abrams or Barnes and Abrams and may list either the 1882 Maxwell or 1892 Graeser patent date. It has been theorized that Barnes and Abrams did not actually manufacture advertising paperweights for their customers, but instead subcontracted the actual manufacturing task out to Pittsburgh area glasshouses. The Paperweight Collectors Association Annual Bulletins published for 2000, 2001 and 2002 describe these in detail.
Collectors may specialize in one of several types of paperweights, but more often they wind up with an eclectic mix.
In total, the centre had approximately 1,200 paperweights; some from the Broughton collection, others acquired by its subsequent owners. There are examples of paperweights from many different countries, including the United Kingdom, France, Italy and China. Some are from paperweight studios, such as Caithness Glass or Whitefriars Glass, while others are the work of individual artists. The centre also featured watercolour scenes of Dartmoor.
Another museum with a notable exhibition of outstanding American paperweights is in the Museum of American Glass at the Wheaton Arts and Cultural Center in Millville, New Jersey. In 1998, Henry Melville Fuller donated 330 twentieth century paperweights to the Currier Museum of Art in Manchester, New Hampshire.
The shell of marbled turbans is used as a source of nacre. The large opercula of "Turbo marmoratus" have been sold as paperweights or door stops.
The Caithness Glass arm of the business was purchased by Dartington Crystal and is still trading with paperweights still being hand crafted in Scotland.
Bohemian paperweights were particularly popular in Victorian times. Large engraved or cut hollow spheres of ruby glass were a common form.
An array of merchandise featuring Kyushu University’s logos and color will be made available for purchase, including badges, paperweights, cups, watches, pens, ties and bookends.
In addition to prohibiting small gifts and reminder items such as pens, notepads, staplers, clipboards,paperweights, pill boxes, etc., the revised Code:
It is named after the long row of pieces on the h rank, which is like the shape of traditional Japanese paperweights.
Founded in 1959, Neenah's Bergstrom-Mahler Museum has a collection of glass art comprising over 3,000 pieces, concentrating in historic paperweights and Germanic glasswork.
When cut and polished the rock makes a beautiful and striking ornamental stone. It has been used for making paperweights and other small ornamental articles.
Fine glass paperweights are widely produced, collected, and appreciated as works of art and are often exhibited in museums as examples of fine glass art.
Stankard, whose driving desire was to "be on the creative side and do what he loves", started producing glass paperweights in his garage while working in industry to support his growing family. It was when Stankard displayed his early paperweights at a craft exhibit on the boardwalk of Atlantic City, New Jersey that Reese Palley, an internationally respected art dealer, saw his work and sponsored Stankard financially to move full-time into making glass art.