Synonyms for pierre_albert_birot or Related words with pierre_albert_birot

blaise_cendrars              philippe_soupault              tristan_corbière              valery_larbaud              jules_supervielle              pierre_jean_jouve              eugène_guillevic              guillaume_apollinaire              francis_ponge              raymond_queneau              paul_éluard              jean_paulhan              pierre_reverdy              yves_bonnefoy              robert_desnos              philippe_jaccottet              jean_cassou              rené_char              michel_leiris              stéphane_mallarmé              paul_eluard              yvan_goll              henri_michaux              jean_lescure              léon_paul_fargue              jules_laforgue              jean_moréas              gustave_kahn              michel_butor              rené_crevel              robert_pinget              tristan_tzara              alain_bosquet              paul_valéry              charles_baudelaire              marcel_schwob              théodore_aubanel              georges_duhamel              pierre_mac_orlan              albert_samain              georges_limbour              charles_ferdinand_ramuz              emile_verhaeren              charles_péguy              louis_ferdinand_céline              léon_bloy              henri_murger              pierre_louÿs              nathalie_sarraute              jacques_roubaud             

Examples of "pierre_albert_birot"
- James Grieve (translations of Pierre Albert Birot poems)
Pierre Albert-Birot (22 April 1876 – 25 July 1967) was a French avant-garde poet, dramatist, and theater manager.
Leading up to 1924, two rival surrealist groups had formed. Each group claimed to be successors of a revolution launched by Guillaume Apollinaire. One group, led by Yvan Goll, consisted of Pierre Albert-Birot, Paul Dermée, Céline Arnauld, Francis Picabia, Tristan Tzara, Giuseppe Ungaretti, Pierre Reverdy, Marcel Arland, Joseph Delteil, Jean Painlevé and Robert Delaunay, among others.
In the magazine there were published translations from foreign writers like Pierre-Albert Birot, Philippe Soupault, Egio Bolongaro and Pierre Reverdy. Moreover, there were published original works by Josep Maria Junoy, Joaquim Folguera and Josep Vicenç Foix. Drawings by Albert Gleizes, Pere Ynglada, Joan Miró, Cels Lagar, Frank Burty and Enric C. Ricart were published.
He also undertook to scrutinize Antoine Bourdelle's Proto-Cubism, Auguste Herbin's abstract art and Alberto Magnelli; the theatrical innovations of Luigi Pirandello, Pierre Albert-Birot, Emile Malespine; and in addition, the dialectical repercussions and reversals of the formal ideas of Futurism as they appear in the authors, artists and movements of the Neo avant-garde of the second half of the 20th century: Lucio Fontana, Alberto Burri, Frank Gehry, Eugène Ionesco, Arte Povera, Poesia Visiva, Process Art, performance and Image-Theatre.
In 1927 he passed his bar exams in Paris and started attending the meetings of the group "Sagesse" ("Wisdom") where he made the acquaintance of André Salmon, Pierre Reverdy, Pierre Mac Orlan and Max Jacob. In 1933 he published his first collection with Eugène Guillevic and Pierre Albert-Birot. In 1934 he married painter Madeleine Dinès, a daughter of the Nabi artist Maurice Denis. In 1939 he received the Mallarmé Prize. Jean Follain received the Prix Blumenthal in 1941, awarded to poets who refused to collaborate with the Vichy Government.
In 2006, invited by the Brazilian television network known as TV Cultura, Ricardo Domeneck produced his first two videos. Since then, his work has ranged from writing to the vocal performance of texts merged with video. In Berlin, Ricardo Domeneck would begin a research of the poetics of performance and sound poetry of the Dada movement, also translating poets Hans Arp and Pierre Albert-Birot and poet-performers from the Wiener Gruppe (H. C. Artmann, Konrad Bayer, Gerhard Rühm, etc.) into Portuguese. The same year he produced his first video, Domeneck started performing in experimental poetry festivals of cities such as Buenos Aires, Madrid, Barcelona and Brussels, including performances museums such as the Espai d´Art Contemporani in Castelló and the Museo Reina Sofía in Madrid. The poet is also the co-founder of a collective of artists based in Berlin, which organizes weekly performances and live acts at the club Neue Berliner Initiative, including artists, musicians and bands such as Kevin Blechdom, Wolfgang Müller of Die Tödliche Doris, JD Samson and Johanna Fateman of Le Tigre, Mystery Jets, Stereo Total, Mount Sims, Shunda K of Yo Majesty, Bruce LaBruce and Angie Reed, among others. The collective is also responsible for the independent label Kute Bash Records, which has released the London-based multimedia duo Tetine. In video art, his interventions have been shown from nightclubs and galleries in Europe to the public television in Brazil. In both his writing and videos, Ricardo Domeneck concentrates on his own body as fixed set of materials.
Hansen and Day’s first collaborative book was "Imaginary Thoughts and Their Beings" (1995), printed in the Graphic Investigation Workshop’s Artists Book Studio (ABS) established by Herel (1994). Hansen supplied a prose poem while Day supplied eight etchings. Earlier books by Hansen were often experimental, unique copies using her own writing, some including textiles for pages, and mostly letterpress printed onto cheap coloured papers. Day’s earlier books were more typical fine book productions utilizing tradition printmaking and letterpress techniques printed onto art papers. In 1996 Hansen and Day collaborated on a zine titled "PAB" (taking its name from the initials of the French poet Pierre Albert-Birot), and invited others to contribute to each issue. There were 3 issues in an edition of 100 each. In 1996 the Artists Book Studio was separated from the Graphic Investigation Workshop to make an independent studio space. Herel chose to stay with the Graphic Investigation Workshop. The ABS was renamed the Edition and Artist Book Studio (E+ABS) and was headed by Dianne Fogwell. The E+ABS employed Day as its first printer and binder. Hansen was also employed as a printer for some titles. By late 1996 Hansen and Day had started gathering equipment to found a press. By 1997 they had printed their first title "Burly Gryphon", dedicated to ‘Peter and Petr’ (Finlay and Herel) under the press name Finlay Press.