Synonyms for pollione or Related words with pollione

adalgisa              mefistofele              montecchi              nedda              zerlina              puritani              oroveso              arlesiana              manrico              turiddu              abigaille              moffo              germont              capuleti              cherubino              santuzza              cilea              cavaradossi              tebaldi              escamillo              masetto              giorgetta              amneris              lecouvreur              ariodante              suor              rinuccio              nerone              bolena              freni              torvaldo              sparafucile              giannetta              netrebko              grisi              marzelline              favola              elvino              scarpia              ricciarelli              nannetta              vespri              norina              cotrubas              almirena              cameriera              piangi              ciofi              catalani              gioconda             

Examples of "pollione"
There follow angry exchanges among the three, Norma declaring Pollione to be a traitor; he trying to persuade Adalgisa to leave with him; and she angrily telling him to go away. When he declares that it is his fate to leave Norma, she encourages the young priestess to go with him, but the latter declares that she would rather die. Norma then demands that her lover go, leaving behind his children—and his honour. ("Finale": brief duet, Adalgisa and Pollione: he declares his love, and she her desire to Norma not to be the cause of grief to her. Trio: Norma continues to rage at Pollione, Adalgisa repeats her desire to make him return to Norma, and Pollione curses the day when he met Norma.) Then the sound of the Druids calling Norma to the temple is heard. They report that the angry god, Irminsul, has spoken. Pollione storms out.
He was especially appreciated in heroic roles such as; Pollione, Raoul, Radames, Otello, Canio, Andrea Chénier, Cavaradossi, etc.
"Meco all'altar di Venere" is an aria from the opera "Norma" by Vincenzo Bellini, sung by the character Pollione in act 1, scene 2.
Breviario is probably best remembered for his Pollione in the first complete recording of "Norma" in 1937, opposite Gina Cigna, Ebe Stignani, Tancredi Pasero, under Vittorio Gui.
Filippeschi made several recordings, notably Pollione in "Norma", opposite Maria Callas, and Carlo in "Don Carlos", opposite Tito Gobbi and Boris Christoff.
His first concert in 1991, in the scientific liceum high school "Vitruvio Pollione" of Avezzano with all students and teachers (he was 16 years old).
Pollione and Flavio enter. Although Norma has secretly broken her vows in order to love him and has borne him two children, Pollione tells Flavio that he no longer loves her, having fallen in love with the priestess Adalgisa. But he expresses some remorse, describing his dream in which Adalgisa was beside him at the altar of Venus and a huge storm arose: (Pollione, aria: "Meco all'altar di Venere" / "With me at the altar in Rome was Adalgisa dressed in white, veiled all in white.") The storm presaged disaster for them both: "Thus does Norma punish her faithless lover," he declares. They hear the trumpets sounding to announce Norma's arrival. Flavio urges his friend to leave, but Pollione stands firm, proclaiming that he will confront them with a superior power and overthrow their altars: ("Cabaletta": "Me protegge, me difende" / "I am protected and defended by a power greater than theirs / I am inspired by the thought of the one I love ...")
Norma asks Adalgisa to describe the man whom she loves. Responding, she tells her that he is a Roman, and, at that moment, turns to indicate that it is Pollione who is just then entering the room. As Norma furiously turns to confront Pollione, Adalgisa is confused: Norma: "Oh! non tremare, o perfido, per lei. Essa non è colpevole, Il malfattor tu sei" / "O faithless man, Do not tremble for her. She is not guilty, You are the wicked one."
The crowd departs: (Duet, Norma and Pollione: "In mia man alfin tu sei" / "At last you are in my hands; no one can cut your bonds. I can"). Norma demands that he forever shun Adalgisa; only then will she release him and never see him again. He refuses, and she vents her anger by telling him that she will then kill her children. "Strike me instead", he demands, "so that only I alone will die", but she quickly rounds on him with the announcement that not only will all the Romans die, but so will Adalgisa, who has broken her vows as a priestess. This prompts him to plead for her life. ("Cabaletta": Norma and Pollione: "Già mi pasco ne' tuoi sguardi" / "Already I take pleasure in the look you give me, your grief and in her death; at last I can make you as miserable as I".) When Pollione demands the knife, she calls the priests to assemble. Norma announces that it would be better to sacrifice a priestess who has broken her vows, and orders the pyre to be lit. Oroveso demands to know who is to be sacrificed while Pollione demands that she keep silent, but Norma then reveals that it is she who is to be the victim because she is the guilty one, a high Priestess who has broken her vows, has become involved with the enemy, and has borne his children. (Aria, Norma to Pollione: "Qual cor tradisti" / "May this awful moment now show you the heart you betrayed and lost"; Duet: Norma and Pollione; Ensemble, Norma, Oroveso, Pollione, Druids, Priests: each expresses his/her sorrow, anger, pleas to Norma, with Oroveso learning for the first time that Norma is a mother.)
During his short singing career Beck performed many leading parts, including the title roles in Rossini's "Otello", Verdi's "Ernani", Spontini's "Fernand Cortez", and Meyerbeer's "Robert le diable", as well as Max in Weber's "Der Freischütz" and Pollione in Bellini's "Norma".
He can be heard as Pollione in Bellini's "Norma" (1973), on ABC Records, with Sills, Shirley Verrett, Paul Plishka, and James Levine conducting his first operatic recording. In 2009, Deutsche Grammophon published it on compact disc.
He returned to his home-town to sing in Mercadante's "Gabriella di Vergy", also in Donizetti's "Gemma di Vergy" and "Fausta". From July to September he was in Vicenza, where he sang in Mercadante's "Elena da Feltre", Donizetti's "Torquato Tasso" and "Roberto Devereux". To crown it all he sang Pollione in Bellini's "Norma" with Giuseppina Ronzi de Begnis (his future wife) in the title role. In October he made his Venetian debut at the Teatro San Benedetto as Pollione and Roberto Devereux; the primadonna assoluta was Ronzi de Begnis.
His vocal timbre has recently improved, changing him into a lyric and dramatic tenor. He has reached a heavier vocal weight, enabling his voice to be "pushed" to dramatic climaxes without strain. It is the reason why he now prefers roles such as Calaf ("Turandot"), Cavaliere Des Grieux ("Manon Lescaut"), Canio ("Pagliacci"), Pollione ("Norma") and Otello.
Norma appears to be upset and orders her maid, Clotilde, to take the two children away from her, expressing very conflicted feelings about them. She tells Clotilde that Pollione has been recalled to Rome, but does not know if he will take her or how he feels about leaving his children. As Adalgisa approaches, the children are taken away.
During the 1970s, Raimondi expanded his repertory and added roles such as Pollione in "Norma", and Gennaro in yet another Donizetti piece, "Lucrezia Borgia", in which role he appeared opposite Leyla Gencer and Montserrat Caballé. He also appeared in some of Verdi's less frequently performed operas such as "I masnadieri", "I Vespri Siciliani", and "Simon Boccanegra".
Recordings include the "Lohengrin" Bridal scene with Helen Traubel from 1945 which finds him in an ardent, heroic mood, underpinned by his characteristically strident technique. Several of his live performances as Pollione, Radames and Manrico beside Maria Callas in their 1950 Mexico tour were especially noted for the high degree of excitement generated, though he never sang at anything less than full volume.
In 1986, Maria Bieșu recorded the role of Norma in Bellini's opera for the Russian company Melodiya, with Ludmilla Nam as Adalgisa, Gegham Grigoryan as Pollione, and Mark Ermler conducting the Bolshoi Opera Orchestra. The recording was issued on CD by Melodiya (MCD 160C), and shows her dramatic soprano voice to good advantage. (The opera is sung in Italian, and is given uncut).
Zanelli then left for Italy for further studies with Dante Lari and Fernando Tanara in Milan. His first appearance as a tenor occurred in 1924 at the Teatro San Carlo in Naples, as Raoul. He went on to sing widely in Italy and South America in roles as diverse as Pollione, Don José, Andrea Chénier, Canio, Tristan and Siegmund.
One year later, he made his stage debut singing Alfredo in "La Traviata". In 2002 he won three awards at the Francisco-Vinas-Competition in Barcelona and joined the ensemble at the Stadttheater Gießen, Germany, where he successfully performed a number of prestigious roles, such as Pollione, Pinkerton, Lenskij and Mitch in the German premiere of André Previn's "A Streetcar Named Desire".
In the months of March, April and May 2004, he was contracted to play as Pollione in "Norma", together with Gabriella Morigi, Riikka Rantanen, Serena Farnocchia, Ilkka Vihavainen and Hannu Forsberg. This was directed by the soprano Renata Scotto and conducted by Alberto Hold-Garrido. In September, he staged a "Lirico Concert" together with the soprano Chiara Taigi in Berne Theatre.