Synonyms for radames or Related words with radames
Examples of "radames"
His primary roles are those of Cavaradosi, Calaf, Des Grieux,
, Manrico, Luigi, Canio and Turiddu.
, and Aida are entangled in conflicted loyalties and emotions ("A Step Too Far"): Amneris is afraid that Radames's affection for her is waning,
worries his love for Aida could end his life as he knows it, and Aida fears she might be a traitor to her people as she loves
. Aida and Mereb bribe their way into Amonasro's prison cell, where she is reunited with her father. Mereb hatches a plan to escape with the king during the commotion of Amneris' wedding. To save her father and her nation, Aida must betray the man she loves ("Easy as Life"). Meanwhile, Zoser discovers
' affair and warns his son that it could cost him the throne, but
no longer shares his father's ambitions ("Like Father, Like Son"). After an emotional bout with his son, Zoser orders his men to find Aida and kill her.
At the Nubian camp, Aida receives a written apology from
for the thoughtless way he acted upon hearing of Amonasro's capture ("
' Letter") and for his lack of showing affection. When Egyptian soldiers arrive seeking Aida, another Nubian, Nehebka, sacrifices herself so that the princess can live. Now even more determined to leave
forever, Aida goes to say good-bye to him over Mereb's objections ("How I Know You (Reprise)").
informs Aida that he is calling off the wedding. Aida knows that this would ruin her father's escape and tells him he must go through with it ("Written in the Stars").
agrees, on condition that she escapes to freedom on a boat he will provide. The heartbroken lovers part, but Amneris has overheard their entire conversation and tries to face the fact that her upcoming marriage is a sham ("I Know the Truth").
His strong, bright-toned voice was also heard to good advantage in Verdi roles including Manrico,
He was especially appreciated in heroic roles such as; Pollione, Raoul,
, Otello, Canio, Andrea Chénier, Cavaradossi, etc.
Beginning in 1949, Anders undertook such heavier roles as Florestan, Max, Tannhäuser, Lohengrin, Walther, Siegmund,
, Otello, with equal success.
In the Egyptian wing of a modern museum, a man and a woman touring the exhibit catch each other's eyes. A statue of Amneris, a female Pharaoh, comes to life ("Every Story Is a Love Story") and transports them to Ancient Egypt, where
, captain of the Egyptian army, and his men are returning from an expedition through the land of Egypt's long-time enemy, Nubia ("Fortune Favors the Brave"). When his soldiers capture a group of Nubian women, he is captivated by one of the women, Aida, who tries to free herself by out-dueling one of his soldiers.
forces her to wash his back, but she refuses, saying that although the Egyptians took everything from the Nubians, they will never take their spirit ("The Past Is Another Land").
saves Aida's companions from the copper mines (and certain death) by sending them to the palace groundskeeper instead. He also ensures Aida serves as a handmaiden to his betrothed, Princess Amneris.
' father, Chief Minister Zoser, greets his son with news that the Pharaoh is dying, and
must prepare to become the next ruler of Egypt ("Another Pyramid"). Unbeknownst to
, his father is poisoning the Pharaoh in order to accelerate
' ascension to the throne.
News of Amonasro's escape disrupts Amneris' wedding.
learns the truth of Aida's identity when he arrives at the docks just as she is about to board his boat with her father. Although he is angry that Aida hid this from him, she says she never lied about loving him. In the ensuing chaos, Mereb is mortally wounded by Zoser, and
makes possible Amonasro's escape by cutting the rope tied to the dock, but Aida stays with
and a dying Mereb. Zoser flees, and Mereb dies in the arms of his kind master and beloved princess.
and Aida are then arrested for treason. At the ensuing trial, Pharaoh announces Zoser's apprehension and sentences both Aida and
to be buried alive. Amneris reprises her role as a future Pharaoh by convincing her father to let the lovers die in the same tomb, an act of mercy for two people she has come to love. Facing death, Aida looks to
for strength ("Elaborate Lives (Reprise)"). As they are slowly deprived of light and air ("Enchantment Passing Through (Reprise)"),
swears he will search through a hundred lifetimes to find her again if he has to.
On the war with the Ethiopians, Egypt will concur and the pharaoh will declare the marriage of his daughter with
will come to meet Aida, perhaps for the last time! Aida doesn’t know what to do, or whether she will get her love back?
In Giuseppe Verdi's "Aida",
is sealed in a vault at the Temple of Vulcan as punishment for treason. His lover Aida, without his knowledge, has hidden herself in the vault so they can die together. Aida dies as the tomb is being sealed, with
awaiting his own death after the final curtain.
On 21 November 1910 Zerola sang
again for his debut with the Chicago Grand Opera Company with Jeanne Korolowicz as Aida. He actively performed with the company through May 1911 in performances in both Chicago and Philadelphia. His other roles with that company included Raoul de Nangis in Giacomo Meyerbeer's "Les Huguenots", Manrico, and Otello. In January 1911 he opened the Baltimore Opera Company's new season as
. In 1911-1912 he was committed to the Royal Opera House in London where he performed the roles of Riccardo in Verdi's "Un ballo in maschera", Canio, Manrico, Otello,
, and Raoul de Nangis.
He made his Metropolitan Opera debut on March 6, 1965 as Cavaradossi in "Tosca", in five seasons his roles included: Alfredo, Manrico, Riccardo, Alvaro, Don Carlo, and
Kristján Jóhannsson (born May 24, 1948 in Akureyri, Iceland) is an Icelandic operatic tenor particularly known for his performances in Verdian roles, and especially as
Napata was mentioned in Verdi's Aida in Act, III when Amonastro uses Aida to learn where
will lead his army.
Masini was particularly acclaimed in roles such as Manrico, Alvaro,
, Loris, Calaf, although he also enjoyed success in more lyrical parts, notably as Edgardo, Rodolfo and Pinkerton.
His finest roles included Lensky, Herman, Almaviva, Faust, Don José, Raoul, Bayan, Lykov, Sadko,
, Lohengrin, and Luciano in the opera "Francesca da Rimini" by Eduard Nápravník.
Later that night, Amneris worries about her father's illness, and finds in Aida someone who understands and encourages her ("My Strongest Suit (Reprise)"). Bursting into his fiancée's chamber,
steals a moment with Aida to share his growing attraction to her. Aida is taken by Mereb to the Nubian camp, where she reluctantly submits to her people's pleas to lead them ("Dance of the Robe"). When she implores
to help the Nubians, he opens his heart by giving his possessions to them ("Not Me") and declaring his love for Aida ("Elaborate Lives"). Unable to fight her feelings any longer, she falls into his embrace. Their bliss is interrupted by news that
' armies have captured Amonasro, king of Nubia and also Aida's father. Unable to comfort her,
leaves Aida in distress. Rallying her people, Aida assures them that Nubia will never die ("The Gods Love Nubia").
This is the desperate love story of an Ethiopian slave Aida (Sophia Loren) staying in the then capital of Egypt Memphis with the young Egyptian supreme commander
(Luciano). Aida’s mistress, Amneris (Lois Maxwell), the daughter of the pharaoh is too in love with
. Aida doesn’t know how to hide her love, and Amneris is jealous of her because of her beauty and simplicity.
This song came from the musical "Aida" written by Elton John and Tim Rice. In this scene in the musical,
informs Aida that he's calling off the wedding. Aida knows that this would ruin her father's escape and tells him he must go through with it.
agrees, on condition that she escapes to freedom on a boat he will provide. The two lovers lament the complication of the circumstances of their love together before parting.
Stern's repertoire included
in "Aida", which he performed in several productions of the Deutsche Staatsoper Berlin opposite Anna Tomowa-Sintow as Aida; at De Vlaamse Opera in Antwerp, Belgium opposite Livia Budai as Amneris; followed by performances at the Norwegian National Opera, with Giancarlo del Monaco directing. Other engagements with Stern as
followed at the Austin Lyric Opera, Taipei National Opera; Opera/Columbus and the Miami Greater Opera Association with the Aida of Alessandra Marc.
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