Synonyms for uplight or Related words with uplight

uplighting              downlighting              downlights              wallwash              luminarie              downlight              luminare              torchiere              troffers              uplighter              lamplight              candlepower              uplights              luminares              floodlight              sconce              wallwasher              edgelit              tracklights              floodlighting              streetlamps              luminary              lighta              lampshades              troffer              worklights              frontlighting              footcandles              illuminative              arealights              downlighters              softbox              sidelight              luminant              darks              lumination              diming              lightbulbs              spotlights              lamphouse              luminotrons              indirector              illuminatable              luxpolychromatic              lightings              streetlamp              scialytic              hardscape              andled              sunrays             

Examples of "uplight"
A sconce is a wall-mounted fixture, particularly one that shines up and sometimes down as well. A torchère is an uplight intended for ambient lighting. It is typically a floor lamp but may be wall-mounted like a sconce.
Idea: Dimasa has a concept and idea to uplight his own society. It has an education for preparation of intellectual. Dimasa has a conception of philosophy to rebirth the soul.
The effectiveness of using full cutoff roadway lights to combat light pollution has also been called into question. According to design investigations, luminaires with full cutoff distributions (as opposed to "cutoff" or "semi cutoff", compared here) have to be closer together to meet the same light level, uniformity and glare requirements specified by the IESNA. These simulations optimized the height and spacing of the lights while constraining the overall design to meet the IESNA requirements, and then compared total uplight and energy consumption of different luminaire designs and powers. Cutoff designs performed better than full cutoff designs, and semi-cutoff performed better than either cutoff or full cutoff. This indicates that, in roadway installations, over-illumination or poor uniformity produced by full cutoff fixtures may be more detrimental than direct uplight created by fewer cutoff or semi-cutoff fixtures. Therefore, the overall performance of existing systems could be improved more by reducing the number of luminaires than by switching to full cutoff designs.
The hallmark of Holophane luminaires, or lighting fixtures, is the borosilicate glass reflector/refractor. The glass prisms provide a combination of uplight and downlight to illuminate any environment evenly without creating dark spots or glare. This ribbed glass shade/reflector, called "Holophane" or "Holophane style/type" is iconic in "vintage" style lighting, and is licensed and copied throughout the lighting industry. The trademarked name for the borosilicate glass is Endural.
Public spaces on the second and upper levels are reached by a masonry staircase at the rear of the building. Rooms throughout the second and upper floor levels floors and stairs have been finished in colourful terrazzo tiles with a checkered border detail and walls and ceiling have been finished with painted plaster. Internal doors and windows are clear-finished timber joinery. The ballroom space features a fibre-cement ceiling and wall-mounted, half-moon shaped uplight fittings.
Sykes began his broadcast career at BBC Radio Oxford while studying at The Queen's College, Oxford University. From there he went on to work for LBC from 1973-74. After that he joined the BBC where he has continually worked since. His first regular BBC work was as a continuity announcer and presenter/reporter for the BBC West TV region. On Halloween in 1977, he received a written warning from BBC management in Bristol after he had ended the closedown routine at 1.20 am (following a Vince Price horror film, The Tomb of Ligeia) by using a 500 watt uplight to cast spectral shadows across his face as he warned any viewers with black cats to keep a close eye on them that night in case they were abducted by witches.
The elevated house with its lean modernist lines and industrial materials, is open plan with the spaces signified by furniture arrangement. It is spare, spacious and functional, yet comfortable. The concrete interior staircase is lit by a sunken uplight. Décor includes signature wall papers, innovations such as mechanised blinds over the floor to ceiling windows, convertible work desks, multipurpose cabinets (some with interior lighting), concealed storage and bedroom ensuites. There were originally five bedrooms, later four, and the colour scheme is neutral ranging from cream or white, shades of brown to chocolate and black with some sky blue accessories. In contrast, there is one lavish bespoke glass chandelier on the landing. The Homewood served as Gwynne's living portfolio to clients and students, exhibiting his designs from architecture to furniture, finishes and fittings, as well as attention to detail and complete design control.