vilakkum - Synonyms for vilakkum | Synonyms Of vilakkum

Examples of "vilakkum"
Vilakkum Velichavum is a 1978 Indian Malayalam film, directed by P. Bhaskaran and produced by Pavamani. The film stars P. Bhaskaran, Prem Nazir, Sheela and Adoor Bhasi in lead roles. The film had musical score by G. Devarajan.
Other versions of "The Nights" include the 1974 Italian movie "Il fiore delle mille e una notte" by Pier Paolo Pasolini and the 1990 French movie "Les 1001 nuits", in which Catherine Zeta-Jones made her debut playing Scheherazade. There are also numerous Bollywood movies inspired by the book, including "Aladdin and Sinbad". In this version the two heroes meet and share in each other's adventures; the djinn of the lamp is female, and Aladdin marries her rather than the princess. Other Indian films inspired by the book, include "Allauddinum Albhutha Vilakkum" (1979; Malayalam), "Allaudinaum Arputha Vilakkum" (1979; Tamil) and "Daya" (1998; Malayalam).
Allauddinum Albhhutha Vilakkum () () is a 1979 Malayalam resp. Tamil language Indian feature film directed by I. V. Sasi based on Alladin's story from the "Arabian Nights" starring Kamal Hassan as Allauddin, Rajinikanth as Kamaruddin and Gemini Ganesan as Meergha Singh. This is the debut of Rajinikanth in Malayalam.
The film, a bilingual has been simultaneously made in Tamil language as "Allaudinaum Arputha Vilakkum" () and released on 8 June 1979 with some Tamil actors joining as supporting cast. The Tamil version of the film was dubbed into Telugu as "Alavuthinum Arputha Deepam".
Alleppey Sheriff,also known as A. Sheriff (1940 – 2 December 2015), was an Indian film script writer and director in Malayalam movies. He wrote the script, story and dialogue for more than 100 Malayalam movies during the 1970s and 1980s. He wrote the screenplays for popular movies "Avalude Ravukal" in 1978, "Ulsavam" in 1975, "Eeta" in 1975, and "Allauddinum Albhutha Vilakkum" in 1975.
Soman Ambaat (also spelled Soman Ambatt or referred as just Soman) is a notable director (Member of FEFKA) in Malayalam cinema. His debut film was "Aayiram Abhilashangal" (1984). This was followed by several notable films in Malayalam like "Manasariyathe" (1984), "Oppom Oppathinoppum" (1986), and "Agnimuhurtham" (1987). He has also worked as Chief Associate director for movies like "Jagadguru Adisankaran" (1977), "Shrimad Bhagwadgeeta" (1977), "Ashtamangalyam" (1977), "Harshabhaspam" (1977), "Pichipoo" (1978, "Manoradham" (1978), "Vilakkum veilchavum" (1978), "Aanakkalari" (1978), "Kolillakam" (1981), and "Ponnum Poovum" (1982).
Allauddin Adhbhuta Deepam (English: Aladdin & Wonderful Lamp; ) is a 1957 Telugu, fantasy film, produced by M. Lakshmipathi on Jai Shakti Pictures banner, presented by T. S. Balaiah and directed by T. R. Raghunath. Starring Akkineni Nageswara Rao, Anjali Devi in the lead roles and music composed by Saluri Rajeswara Rao & Saluri Hanumantha Rao. The film is based on a story from "Arabian Nights" called "Aladdin & Magic Lamp" The film was simultaneously released in Tamil as "Allavudeenum Arputha Vilakkum" and in Hindi as "Alladdin Ka Chirag".
One of Mohanlal's first breaks as a co-hero "Ineyengillum" was also directed by I. V. Sasi.He introduced Mammootty as a hero in his film "Thrishna". He also introduced Jose. Other collaborations such as M.T. Vasudevan Nair-I. V. Sasi, Padmarajan-I. V. Sasi, and T.Damodaran-I. V. Sasi are well remembered. He worked with Mammootty on more than 35 films. He went on to direct one of Mohanlal's biggest hits, "Devaasuram", which was scripted by Ranjith. He has directed films in several other languages, such as Hindi, Telugu, and Tamil. He has directed Kamal Haasan in films like "Guru", "Allauddinum Arputha Vilakkum", "Karishma" and "Eeta". He was the one who introduced Rajinikanth to Malayalam film industry through "Allauddinum Albhutha Vilakkum" in 1979. Other films with Rajinikanth include the Telugu-Tamil bilingual film "Kaali" and "Ellam Un Kairasi". He has directed Hindi movies as "Patita" ("Mithun Chakraborty"), "Anokha Rishta" ("Rajesh Khanna" and "Smita Patil"), "Pratishodh (1980)", "Karishma" etc. He has directed Malayalam movies in many genres. His war-themed movie "1921", written by screenwriter T. Damodaran, was the first Malayalam movie to be nominated in the Italian Film Festival. His "Ina" was the first Malayalam movie about child marriage. In 1982, he shared The Indian National film Awards' "The Nargis Dutt award" for the best feature film on national integration for his film "Aaroodam" with its producer Rosamma George. I.V. Sasi is the festival director of the second edition All Lights India International Film Festival.The event will be held at Ramoji Film City, the world’s largest film studio at Hyderabad, India from 24th to 27th Sept 2016.
He played a prominent role in ushering in the technical advancements in cinematography into Malayalam cinema. The transition from Black & White to colour aside, he served as the cinematographer for the first CinemaScope film to be shot in South India, "Alavuddinum Athbutha Vilakkum" (1979), directed by I.V. Sasi. Despite featuring major stars like Kamal Haasan, Rajinikanth and Jayabharathi, the film was delayed and another CinemaScope film Thacholi Ambu (1978) was released ahead of it, leaving the latter to be considered as the first CinemaScope film in South India. He was the cinematographer of the first film to be released with 70mm film in Malayalam. The film, Padayottam (1982), directed by Jijo Punnoose was from the production house of Thacholi Ambu, Navodaya. The film was photographed in CinemaScope format and was converted to 70mm blow-up prints with 6-track magnetic stereo sound during post-production.
He made his cinematic debut with K. Balachander's 1975 Tamil drama "Apoorva Raagangal", in which he played a minor role of an abusive husband. He had his first major role in Balachander's Telugu drama film "Anthuleni Katha" (1976), and got his breakthrough in Tamil with "Moondru Mudichu" (1976)—also directed by Balachander. His style and mannerisms in the latter earned recognition from the audience. In 1977, he acted in 15 films, playing negative characters in most of them, including "Avargal", "16 Vayathinile", "Aadu Puli Attam" and "Gaayathri". He had positive roles in "Kavikkuyil", the Kannada film "Sahodarara Savaal", and the Telugu film "Chilakamma Cheppindi", in which he played the protagonist for the first time in his career. His role as a failed lover in S. P. Muthuraman's "Bhuvana Oru Kelvikkuri" (1977) won him critical acclaim. In 1978, he was cast as the main lead in the Tamil film "Bairavi". The same year, he received critical acclaim for his roles in "Mullum Malarum" and "Aval Appadithan"; the former earned him a Tamil Nadu State Film Award Special Prize for Best Actor. He made his Malayalam cinema debut with I. V. Sasi's fantasy drama "Allauddinum Albhutha Vilakkum" (1979), an adaptation of a story from "One Thousand and One Nights". By the end of the decade, he had worked in all South Indian languages and established a career in Tamil cinema.
His next film, "Vanakkatukuriya Kathaliye", has an introductory song to mark his entry, a trend that would soon catch on in with his later films. "Mullum Malarum", released during the same period, received critical acclaim. The film marked the directional debut of J. Mahendran, with a screenplay adapted from a novel of the same name published in "Kalki". It eventually won the Filmfare Award for Best Tamil Film and a special prize for Rajinikanth as Best Actor at the Tamil Nadu State Film Awards. Following this, he made a foray into Malayalam cinema through the fantasy film "Allauddinum Albhutha Vilakkum", based on a story from the Arabian Nights. The same year, he acted in "Dharma Yuddam", in which he played a mentally ill person taking revenge for his parents' deaths. He then co-starred with N. T. Rama Rao in "Tiger". With the completion of "Tiger", Rajinikanth had acted in 50 films over a period of four years and in four languages. Some other popular films released during this period are the youthful entertainer "Ninaithale Inikkum", the Tamil–Kannada bilingual "Priya", the Telugu film "Amma Evarikkaina Amma" and the melodrama "Aarilirunthu Arubathu Varai". "Priya", based on a detective novel by Sujatha Rangarajan, had the distinction of being the first film of Rajinikanth to be shot mostly outside India, mainly in Southeast Asia.
Chiruthevi was reborn as a vengeful Yakshi to a couple at Kanjiracode. She grew into a bewitching beauty within moments of her birth. Though she seduced many men and drank their blood, her heart was set on the handsome Kunjuraman. She told him that she was willing to pardon him if he married her. Kunjuraman flatly refused. The Yakshi channelised all her energies in tormenting him. Devastated, Kunjuraman sought the assistance of Mangalathu Govindan, who was a great upasaka of Lord Balarama. Govindan was for a compromise. He said that the Yakshi could have Kunjuraman for a year provided she conformed to three conditions. One, she must agree to be installed at a temple after one year. Two, after many years the temple will be destroyed and she must then seek refuge in (saranagati) Lord Narasimha for attaining moksham. Three, she must pray for Govindan and his relationship with Kunjuraman not only in their current birth but also in their subsequent births. The Yakshi swore upon 'ponnum vilakkum' that she would abide by all the three conditions. Thus the compromise formula worked.
Chiruthevi was reborn as a vengeful Yakshi to a couple at Kanjiracode. She grew into a bewitching beauty within moments of her birth. Though she seduced many men and drank their blood, her heart was set on the handsome Kunjuraman. She told him that she was willing to pardon him if he married her. Kunjuraman flatly refused. The Yakshi channelised all her energies in tormenting him. Devastated, Kunjuraman sought the assistance of Mangalathu Govindan, who was a great upasaka of Lord Balarama. Govindan was for a compromise. He said that the Yakshi could have Kunjuraman for a year provided she conformed to three conditions. One, she must agree to be installed at a temple after one year. Two, after many years the temple will be destroyed and she must then seek refuge in (saranagati) Lord Narasimha for attaining moksham. Three, she must pray for Govindan and his relationship with Kunjuraman not only in their current birth but also in their subsequent births. The Yakshi swore upon 'ponnum vilakkum' that she would abide by all the three conditions. Thus the compromise formula worked.
Chiruthevi was reborn as a vengeful Yakshi to a couple at Kanjiracode. She grew into a bewitching beauty within moments of her birth. Though she seduced many men and drank their blood, her heart was set on the handsome Kunjuraman. She told him that she was willing to pardon him if he married her. Kunjuraman flatly refused. The Yakshi channelised all her energies in tormenting him. Devastated, Kunjuraman sought the assistance of Mangalathu Govindan, who was a great upasaka of Lord Balarama. Govindan was for a compromise. He said that the Yakshi could have Kunjuraman for a year provided she conformed to three conditions. One, she must agree to be installed at a temple after one year. Two, after many years the temple will be destroyed and she must then seek refuge in (saranagati) Lord Narasimha for attaining moksham. Three, she must pray for Govindan and his relationship with Kunjuraman not only in their current birth but also in their subsequent births. The Yakshi swore upon 'ponnum vilakkum' that she would abide by all the three conditions. Thus the compromise formula worked.
Chiruthevi was reborn as a vengeful Yakshi to a couple at Kanjiracode. She grew into a bewitching beauty within moments of her birth. Though she seduced many men and drank their blood, her heart was set on the handsome Kunjuraman. She told him that she was willing to pardon him if he married her. Kunjuraman flatly refused. The Yakshi channelised all her energies in tormenting him. Devastated, Kunjuraman sought the assistance of Mangalathu Govindan, who was a great upasaka of Lord Balarama. Govindan was for a compromise. He said that the Yakshi could have Kunjuraman for a year provided she conformed to three conditions. One, she must agree to be installed at a temple after one year. Two, after many years the temple will be destroyed and she must then seek refuge in (saranagati) Lord Narasimha for attaining moksham. Three, she must pray for Govindan and his relationship with Kunjuraman not only in their current birth but also in their subsequent births. The Yakshi swore upon 'ponnum vilakkum' that she would abide by all the three conditions. Thus the compromise formula worked.